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At our Community Services Centre in Tuggerah, a striking artwork created by local Aboriginal artists Kylie Cassidy (Wiradjuri) and Megan Cain (Gamilaraay) celebrates the rich cultural heritage of Darkinjung Country and the vital work undertaken by DCJ staff across the Central Coast region.
Proudly displayed in the cultural room, it provides a welcoming space that honours connection to Country, community and service.
At the heart of the artwork is a central campfire surrounded by men, women and children, symbolising the strength of family, belonging and community. Traditional rock engravings acknowledge the enduring cultural history of the Central Coast, while dragonflies weave through the landscape, representing resilience, growth and transformation.
The piece reflects the beauty and diversity of the local environment through depictions of freshwater holes, bushland, mountains and coastline, highlighting the deep relationship between people and Country. Children’s handprints set into sandstone speak to future generations, carrying their stories, hopes and potential forward.
Silver Dreaming symbols feature throughout the artwork, representing enduring cultural connections and the protection of families and children. Together, these elements create a powerful visual narrative that celebrates culture, connection and care, reflecting both the legacy of First Nations peoples and the shared commitment to supporting strong, thriving communities.
Megan Cain is a proud Gamilaraay woman and a descendant of Mary Jane Cain from Burrabeedee, Coonabarabran. Now living on Darkinjung Country, she has extensive experience working with Aboriginal and broader communities on the Central Coast.
Megan is passionate about sharing culture through art and strengthening outcomes for Aboriginal children, young people and families. Her work includes community commissions, school projects and collaborations such as the Barang Youth Summit.
Kylie Cassidy is a Wiradjuri artist who grew up on Darkinjung Country. Her contemporary works are grounded in storytelling and place, and have been exhibited widely, including award-winning gallery shows and major community exhibitions. Kylie’s artwork has featured in schools, hospitals, shopping centres, reconciliation action plans, NSW Health publications and national platforms, including the Sydney Roosters Indigenous Round jersey (2020). Her work continues to be used across workplaces, branding and public spaces.
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