Corrective Services NSW

The last days of Berrima Correctional Centre

With the support of Deputy Commissioner Luke Grant, photographer and former staff member Sue Paull documented the final days of Berrima Correctional Centre before its closure in 2020.

Sue had taken many photographs of Long Bay in the 1990s, and her images now form an important part of the historical record of CSNSW.

Gallery of the prison buildings

View a selection of Sue's photographs of the historic Berrima Correctional Centre, taken before its closure in 2020.

Facade, Berrima Correctional Centre
Facade, Berrima Correctional Centre
Berrima Correctional Centre
Berrima Correctional Centre
Sandstone details, Berrima Correctional Centre
Sandstone details, Berrima
Sandstone details, Berrima Correctional Centre
Sandstone details, Berrima Correctional Centre
Bull's head fountain, Berrima Correctional Centre
Bull's head fountain, Berrima
Flag and facade, Berrima Correctional Centre
Flag and facade, Berrima
Entry gate, Berrima Correctional Centre
Entry gate, Berrima Correctional Centre
Sandstone details, Berrima Correctional Centre
Sandstone details, Berrima Correctional Centre

About photographer and former prison art teacher Sue Paull

The following video is an interview of former Commissioner Ron Woodham by Luke Grant in which he discusses Sue’s work.

Ron Woodham was Commissioner of Corrective Services NSW from 2002 to 2012. He was the first commissioner to come up through the ranks of the organisation. His achievements spanned many areas, including major improvements to security, increased help to Aboriginal inmates, wildlife programs and the creation of a photographic record of prison life.

 

  • Former Corrective Services Commissioner Ron Woodham discusses the work of Prison photographer and art teacher Sue Paull

    Ron Woodham: Prison photographer

    Former Corrective Services Commissioner Ron Woodham discusses the work of Prison photographer and art teacher Sue Paull

    Transcript

    I had a great deal of time to save and

    0:03

    what she did she had some of the most

    0:05

    difficult prisoners that ever was in

    0:08

    Long Bay in her art class and then and

    0:12

    she used to get 100 epidem no one else

    0:15

    could that I know and so I always made

    0:18

    sure that I went for Long Bay

    0:21

    I'd go around and see Sue she was in a

    0:25

    little corner of the jail and a lot of

    0:28

    people were against her and what she was

    0:29

    trying to do and but I always admired

    0:33

    her for the work she did and she did a

    0:36

    fantastic job

    0:37

    and I don't think anyone's done as good

    0:40

    ever since I know and some of those

    0:43

    prisoners were very dangerous man very

    0:47

    Dangerously in their own right when you

    0:50

    look at their criminal Behavior but

    0:52

    since he did the best album

    0:54

    she's a nice and shine and a lot of them

    0:58

    had no idea of the ability they had

    1:02

    themselves and she could bring the best

    1:04

    out in them so they shown in art and

    1:09

    sculpture she went around Parramatta

    1:12

    jail and photographed all the signage

    1:16

    on the yards and some of the those signs

    1:20

    of parameters have been painted over

    1:22

    with the same yard number for 100 years

    1:25

    and they've really done in in a style

    1:29

    that they probably did in the mid-1800s

    1:32

    some of them and she had a photographing

    1:34

    account of all those and I thought there

    1:37

    was a billions of projects if there's

    1:39

    any mules in the job she was very

    1:42

    interested in the in the hip not only

    1:44

    the painting but the history of it and

    1:47

    who did it in the history of the

    1:49

    offenders who did that sort of thing

    1:52

    his remarkable adult everyone liked it

    1:55

    they were shared interest in who did it

    1:59

    and where it came from and she used to

    2:02

    have that outlet to sell off

    2:05

    down

    2:06

    Central Industrial prison gate yeah and

    2:10

    that was very well

    2:12

    attended

    2:14

    by yourself and people from the outside

    2:17

    even businesses wouldn't buy out there

    2:20

    so that Gallery is still running now

    2:22

    even though we've moved it a couple of

    2:23

    times I've kept it and running

    2:25

    continuously and last week we had a

    2:28

    special nadoc week art competition where

    2:30

    inmates around the jails were encouraged

    2:32

    to do paintings on natak week you know

    2:34

    and the theme that always was and always

    2:37

    will be well that's a fantastic thing to

    2:39

    do as you know my interest in Aboriginal

    2:42

    agendas and their program

    2:45

    yeah I think that's a very worthwhile

    2:50

    project and as is the art of Bathurst

    2:53

    child

    2:54

    in the the building designed as a

    2:59

    the token of the wereagery

    3:02

    people at balance

    3:05

    matters is the monitor lizard so the

    3:10

    design of that art

    3:11

    gallery and where the prisoners paint at

    3:14

    Bathurst is designed as

    3:17

    a

    3:18

    iguana

    3:20

    with a tail being the ramp for the

    3:22

    Wheelchairs and prams and things

    3:25

    and the head is actually raised above

    3:27

    the ground where the prison is actually

    3:29

    paint

    3:30

    and they're from the air it is the X-ray

    3:33

    that will go out

    3:34

    some of the ministers took a bit of an

    3:36

    interest in it I remember your friend

    3:39

    um John hat says to us now the judge in

    3:41

    the district court was also really keen

    3:43

    on the art program and anytime he went

    3:45

    anywhere near Long Bay he'd go out there

    3:47

    and spend some time in the gallery as

    3:49

    well and used to buy he made art yeah

    4:01

    even things like

    4:04

    I used to call a pet rock and The Rock

    4:07

    was Aboriginal painting on it he's your

    4:09

    pet rock and he's your pet rock and it

    4:13

    was very good he's got a lot of he's got

    4:15

    a lot of joy out of that well some of

    4:17

    the art that they did was excellent

    4:21

    you know I've had some assists for a

    4:23

    professional and I said it's good to

    4:26

    live soon around some of it some of it

    4:29

    wasn't so good but every time I went to

    4:32

    bawana

    4:33

    prisoners and put all their art around

    4:35

    their donors and as I walked around I

    4:39

    knew I had to buy something every normal

    4:41

    empty seasons was twenty dollars at

    4:44

    least I bought something

    4:45

    and really throw those offenders the sad

    4:50

    thing is they don't know their ability

    4:54

    when it comes to art and dancing you

    4:58

    introduce them to dancing and playing

    5:00

    didgeridoo and that sort of thing you

    5:03

    know just changes the demeanor greater

    5:06

    she was a very she got an aura of face

    5:10

    or anything and she was never aggressive

    5:13

    even though I've seen I hope she must

    5:17

    have been wild at some of the reactions

    5:20

    from prisoners to what she was doing

    5:23

    down there on her own they always

    5:25

    thought it should have an officer in

    5:27

    there and they'd look at the money and

    5:30

    they'd they'd be jealous of her doing

    5:32

    that job down there on her own without a

    5:35

    prison officer and that that was

    5:37

    according to a lot of it but she was

    5:39

    very peaceful calm person

    5:43

    and even the most aggressive prisoner

    5:46

    would say that in a straight away and

    5:48

    respond to it honestly I had the

    5:51

    greatest respect for yourself

    5:54

    you did a fantastic job

    5:56

    and I always supported what she did

    6:00

    and

    6:01

    thanks very much a little contribution

    6:04

    to practice services that you make

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